Cherry
Cherry deepens with light. A piece that leaves the workshop a pale honey will be a warm russet within five years and richer still a decade on. That change is not something to be managed; it is the reason to choose cherry in the first place.
Home / Dining Room
Tables, cupboards, and Windsor seating built from solid American hardwood and proportioned to the room they will stand in. Every dimension, species, and finish is settled with you before the first board is cut.
The Collection
Built to your length and width, with the leg turning and edge profile chosen to suit the room.
Glazed or paneled, and cut to the corner your house actually has rather than a nominal ninety degrees.
Two-door cases in hand-painted or natural finish, sized to hold what the room needs held.
Huntboards and servers carrying dovetailed drawers behind a scrolled or plain back.
An open upper case set back over a closed base, the form country kitchens have kept for two hundred years.
Side chairs, arm chairs, and settees that need share neither species nor finish with the table.
Measured Design
A dining table is one of the few things in a house whose dimensions are decided by the walls around it. Rather than asking you to choose the nearest listed size, we begin with your room and work back from it.
Together we settle the length and shape of the top, the species and figure of the boards, the stain or paint and how far it is carried into distressing, the seat height and upholstery of the chairs, and the hardware and interior fittings of the case pieces. Nothing is cut until all of it is agreed.
Timber & Finish
Two tables of the same form will not read the same way in cherry and in curly maple. One deepens quietly for decades; the other throws light back at you as you cross the room. The finish decides only how a piece reads on the day it arrives.
Cherry deepens with light. A piece that leaves the workshop a pale honey will be a warm russet within five years and richer still a decade on. That change is not something to be managed; it is the reason to choose cherry in the first place.
Tiger maple, to the people who work it. The figure runs across the grain and shifts as you move past it, so the surface is never quite the same twice in one afternoon. It is selected board by board, because figure cannot be ordered to specification.
Open-grained, hard-wearing, and honest. Oak carries the historical and charred treatments better than anything else on the rack, which is why so much of the painted work begins with it.
A grain figure worked into wet paint by hand, the way country painters once imitated timbers costlier than the ones they had.
Wear placed where wear would honestly fall: the leading edge of a drawer, the arm of a chair, the front of a stretcher where boot heels have rested.
Color laid over a red historical ground, so the red reads through at the corners and edges as the surface is used.
The same layered method over a natural ground, for a lighter and quieter result.
Nineteen stain and paint colors are held in the workshop, each of which can be laid over any of the timbers above. See all nineteen
Before You Commission
Browse the collection here, or come to the workshop in Lebanon, where you can set the finish samples against one another, put your hands on the boards, and watch how a color behaves as the daylight moves across the room.