Workshop & design studio · Lebanon, Ohio
Cabinetry Finishes Our Craft Trade
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The Signature

A chair built the way chairs were built before they were manufactured.

Green ash bent over the steam box and left to take its shape. Spindles seated by hand into a saddle carved from a single plank. Legs wedged home so the joint draws tighter under the weight of whoever sits down. It is a form two centuries old, made here in Lebanon, Ohio, for the table you gather around on ordinary evenings.

Continuous arm Windsor chair, hand-finished in black over a red historical ground
Continuous Arm Windsor
Black over a red historical ground

This workshop has always been interested in the quiet relationship between timber, light, and the proportion of a room.

We build Windsor seating, period case goods, and architectural joinery from solid American hardwood, color it by hand from a library of nineteen finishes, and intend all of it to age into a house rather than merely furnish one.

  • Solid HardwoodCherry, curly maple, and oak in solid stock throughout, chosen board by board for grain and color before the first cut is made.
  • Traditional JoineryMortise-and-tenon frames and hand-cut dovetails, where the joint carries the load rather than the fastener.
  • Bench-Built in OhioMilled, assembled, and hand-finished under one roof in Lebanon, by the people whose name is on the door.
  • Made to Be InheritedFurniture intended to outlast the room it was made for, and to be handed on rather than replaced.
Dining room with a stretcher-base table and black Windsor chairs beneath a glazed cupboard

Measured Design

Proportioned to the room it will stand in.

A dining table is one of the few things in a house whose dimensions are decided by the walls around it. Rather than asking you to choose the nearest listed size, we begin with your room, your ceiling height, and the way light crosses the floor through the afternoon, and work back from there.

Chairs need share neither species nor finish with the table they are drawn up to. A black Windsor against a natural cherry top is among the most common pairings to leave this workshop.

Dining room furniture

The Finish Library

Nineteen colors, four surface treatments.

Color is laid over a red historical ground, so the red reads through wherever the piece would honestly wear. Select a swatch to see it at size.

Pigeonhole compartments and dovetailed drawers inside a curly maple desk

At the Bench

The parts you only see when you open it.

Drawer sides are dovetailed by hand. Interiors carry the same timber and the same finish as the show face. It costs more and almost nobody remarks on it, which is close enough to a definition of doing the work properly.

  1. 01

    Selection

    Boards come off the rack and are sorted for grain and color, so the figure in one drawer front carries into the one beneath it. Nothing is cut to length until the piece has been laid out in the rough.

  2. 02

    Milling

    Stock is flattened, thicknessed, and brought to final dimension. Wood is a living material that moves with the season, so parts are milled close to the day they are joined.

  3. 03

    Joinery

    Mortise-and-tenon for the frames, hand-cut dovetails for drawers and chests. The joint carries the load, which is why drawers cut this way still run two centuries on.

  4. 04

    Assembly

    Dry-fitted first, then glued and drawn square in the clamps. Turnings and steam-bent parts are made here at the bench rather than bought in.

  5. 05

    Finishing

    Sanded through the grits, colored by hand, and topcoated in a dust-free room so nothing settles into the film. The finish is made to be lived on and touched up, not preserved under glass.

Our craft
“We commissioned the table for our first house and the chairs a few years after. Both have moved three times and raised two children. They look better now than the day they arrived.”
Sample testimonial · to be replaced with a client's own words