The Signature
A chair built the way chairs were built before they were manufactured.
Green ash bent over the steam box and left to take its shape. Spindles seated by hand into a saddle carved from a single plank. Legs wedged home so the joint draws tighter under the weight of whoever sits down. It is a form two centuries old, made here in Lebanon, Ohio, for the table you gather around on ordinary evenings.
Black over a red historical ground
This workshop has always been interested in the quiet relationship between timber, light, and the proportion of a room.
We build Windsor seating, period case goods, and architectural joinery from solid American hardwood, color it by hand from a library of nineteen finishes, and intend all of it to age into a house rather than merely furnish one.
- Solid HardwoodCherry, curly maple, and oak in solid stock throughout, chosen board by board for grain and color before the first cut is made.
- Traditional JoineryMortise-and-tenon frames and hand-cut dovetails, where the joint carries the load rather than the fastener.
- Bench-Built in OhioMilled, assembled, and hand-finished under one roof in Lebanon, by the people whose name is on the door.
- Made to Be InheritedFurniture intended to outlast the room it was made for, and to be handed on rather than replaced.
By Room
Begin with the room.
Measured Design
Proportioned to the room it will stand in.
A dining table is one of the few things in a house whose dimensions are decided by the walls around it. Rather than asking you to choose the nearest listed size, we begin with your room, your ceiling height, and the way light crosses the floor through the afternoon, and work back from there.
Chairs need share neither species nor finish with the table they are drawn up to. A black Windsor against a natural cherry top is among the most common pairings to leave this workshop.
Dining room furnitureFour Benches
What leaves the workshop.
Seating, case goods, architectural joinery, and the occasional commission that belongs to none of those categories. All of it built from solid stock in the same building.
Windsor Chairs
Green ash bent over the steam box, seats saddled by hand, legs wedged home so the joint tightens under the person sitting in it.
Explore the seating
Handcrafted Furniture
Period case goods and tables in cherry, curly maple, and oak, proportioned to the room they will stand in.
Explore selected works
Kitchen, Bath & Built-In
Joinery drawn as architectural furniture and fitted to the ceiling heights, moldings, and light your house already has.
See the joinery
Aquarium Stands
Hardwood stands and canopies engineered, quietly, for the considerable load a filled tank puts on a floor.
Begin a conversationThe Finish Library
Nineteen colors, four surface treatments.
Color is laid over a red historical ground, so the red reads through wherever the piece would honestly wear. Select a swatch to see it at size.
At the Bench
The parts you only see when you open it.
Drawer sides are dovetailed by hand. Interiors carry the same timber and the same finish as the show face. It costs more and almost nobody remarks on it, which is close enough to a definition of doing the work properly.
- 01
Selection
Boards come off the rack and are sorted for grain and color, so the figure in one drawer front carries into the one beneath it. Nothing is cut to length until the piece has been laid out in the rough.
- 02
Milling
Stock is flattened, thicknessed, and brought to final dimension. Wood is a living material that moves with the season, so parts are milled close to the day they are joined.
- 03
Joinery
Mortise-and-tenon for the frames, hand-cut dovetails for drawers and chests. The joint carries the load, which is why drawers cut this way still run two centuries on.
- 04
Assembly
Dry-fitted first, then glued and drawn square in the clamps. Turnings and steam-bent parts are made here at the bench rather than bought in.
- 05
Finishing
Sanded through the grits, colored by hand, and topcoated in a dust-free room so nothing settles into the film. The finish is made to be lived on and touched up, not preserved under glass.
Selected Works
Recently off the bench.
Continuous Arm Windsor
RB-8611 · Bench-built to order
Comb-Back Arm Chair
LC-A · Bench-built to order
Bow-Back Rocker
NE-BOW · Bench-built to order
Bow-Back Side Chair
RB-069 · Bench-built to order
Swivel Bar Stool
RB-95.3-SW · Bench-built to order
Writing Arm Windsor
RB-083 · Bench-built to order
Fan-Back Side Chair
RB-102 · Bench-built to order
Stretcher-Base Table
TB-3672 · Bench-built to order
“We commissioned the table for our first house and the chairs a few years after. Both have moved three times and raised two children. They look better now than the day they arrived.”
The Journal
Notes on timber, joinery, and finish.
Materials
Choosing between cherry and curly maple
One deepens quietly for decades. The other is chosen board by board for a figure that never repeats. A note on how to decide between them before the first cut.
At the Bench
Why the dovetails are still cut by hand
A jig is faster and, on a drawer that will be opened forty thousand times, measurably weaker. What that difference looks like at the bench.
Finishes
What historical means on a finish card
Nineteen colors, four surface treatments, and a red ground that shows through at the wear points. A walk through the finish library.
The Journal
Selected works, new finishes, and occasional notes from the bench.
Sent a few times a year. Your address is never passed on.